The shocking real case behind the black widow, the Netflix film that became a trend in Argentina

Productions based on real events have that special season that manages to keep the viewer trapped from beginning to end. Whether because of the impressive facts, the tension they generate or that closeness with the reality that bothers and fascinates at the same time, these types of stories do not go unnoticed. Undoubtedly, Netflix is ​​increasingly aware of the effect they cause, so He has been betting hard to add titles of this style to his catalogand this time he did it again with a Spanish film that is already talking: A plot inspired by a real case that puts a crime in the center of the scene meticulously planned.and The black widowthe new Spanish film that causes sensation in Netflix and that is already part of the top 3 in reproductions within the Argentine catalog. With a duration of two hours, this production required by Carlos Sedes has all the ingredients of a captivating thriller: crime, betrayal, manipulation and hidden secrets under an apparent normality that, little by little, it begins to crack and, as if that were not enough, It is inspired by a shocking real story.Ivana Baquero plays María Jesús Moreno Cantó, the nurse who manipulated her lover to execute her husband in August 2017, the engineer Antonio Navarro Cerdán was heading like every morning to the garage of the Patraix neighborhood, in Valencia, to go to work, When he was brutally stabbed. He received six stabs that pierced his lungs and the heart, causing death in minutes. His body was found only in the afternoon by a neighbor, in a parking lot without cameras or good visibility. What at first seemed a confusing fact, It became one of the most resonant police in recent years in Spain.A less than a year of married, “Maje” already had several parallel relationships and began to plan how to get rid of her husband, the hypothesis of a robbery was ruled out: the victim's belongings were intact and there were no signs of forced income. Thus, the researchers began to put the magnifying glass in their closest environment, and They summoned to declare his wife, María Jesús Moreno Cantó, known as Maje. Although he assured that his relationship with Antonio was good, his contradictions caught his attention. This considering that She described her husband as possessive, hinted in infidelities and even slid the possibility of a robberyversion that was not held with the evidence. The investigation soon revealed that Maje took a double life: He maintained at least four parallel relationships, including a young man named José and Salvador Rodrigoa co -worker twenty years older, married and with a daughter. It was the latter who, manipulated by Maje and convinced that Navarro was an obstacle between them, ended up committing crime. The key was a conversation recorded by the police in a cafeteria, where both talked about the murder without knowing that they were being spied by undercover agents. The letters and listening were key in the condemnage of the most of the passion component, the economic was another central factor: Antonio Navarro had life and accident insurance that Maje had already begun to managein addition to a widowhood pension and inheritance. When both were arrested in January 2018, Salvador confessed to having acted alone, but over time he changed his version: upon learning that Maje had other love ties even in prison, He accused her of having manipulated it from the beginningrevealing new details of the plan. The trial was held in 2020, where María Jesús Moreno Cantó was sentenced to 22 years in prison as author responsible for homicide with alevosía and aggravating kinship. For his part, Salvador Rodrigo received a 17 -year sentence for murder with alevosía, with a mitigating for his collaboration with justice. Without a doubt, the call “Patraix crime” Not only did it hit his cruelty, but also for the coldness with which he was planned and executed. Today, this shocking story Returns a place in the center of the scene thanks to its film adaptation.